The prosperity of China for 30 years has made the Chinese people gradually pay attention to various collections, especially the collection of Hetian jade, which has attracted more and more attention. However, due to the limited resources of Hetian jade, coupled with the disorderly mining in previous years, the output of Hetian jade has been decreasing year by year.
Hetian jade is produced in the Yuhe Kashi River (Baiyu River) and the Kakakashi River (Moyu River) in Xinjiang. In 2007, I went to Hetian and saw thousands of excavators dig in the riverbed. The black-pressed crowd rummaged through the sand and gravel dug out by the excavator. The scene was spectacular and shocking. It is reported that the mining volume of these four or five years is only a few hundred times that of the Qing Dynasty. In the past two years, the government has realized the seriousness of this problem and has taken measures to control it and carry out orderly mining. People also realized the scarcity of Hetian jade and its special status as a national jade and its full value, and gradually understood the correct direction of collecting investment. The demand is gradually increasing, and the output is decreasing year by year. The ratio of supply and demand is unbalanced. Therefore, in just a few years, the price of Hetian jade has risen several times.
I can look back at the current status of jade carvings and have to make people worry. Some people blindly pursue economic interests, in order to return to this as soon as possible, on many jade materials with beautiful materials, repeat the same subject matter without thinking, repeating one after another vulgar content, ignoring the materiality and materials. The basic principle of material extraction ignores the creative and cultural connotation. The engraving work is the same as the machine-like production. It is similar, lacks thought, has no connotation, and is almost completely dominated by the economy. Ups and downs, rapidness, publicity, and incitement are common features of a large number of contemporary jade people. The new-born ethnic group is more sharp and more sturdy, lacking in warmth, sharp-eyed, ignorant, and eager to pray for high climbs. There is no recuperation level, which makes it a brave thing. It is a commodity, and it is a savvy, sturdy and squandering the beauty of the heavens and the earth. So hard to find a boutique, sad!
I believe that the beauty of jade carving must be based on materials, crafts are means, culture is the purpose, and connotation is the soul. It is a comprehensive manifestation of these aspects, and it is a jade. In practice, I realized that the perfect embodiment of jade not only relies on skilled craftsmanship, but also relies on the comprehensive quality of Yuyu people's design and ideas. Technology and skill are only basic skills. If you blindly show off your skills, you will never get rid of it." The craftsmanship of the small insects. Jade is a carrier, and it should fully utilize and utilize the unique external form of jade material, ingeniously conceived and refined, and endowed profound intellectual and cultural connotations. With thoughts, infused with souls, works will live, and people will love. If there is no good idea and idea, plus work is not in place, even if the jade quality is good, it is just a dead piece, it is difficult to like.
In order to invest in feelings, Saitama needs to communicate and dialogue with the works, so that exchanges can feel the guidance, inspiration and sentiment of jade materials, find the spirituality and the will of jade, and thus get the right entry point, freely control the jade, hands freely Move, with "ç £" ghostwriting. Before the jade, the material should be like you are a cow, let him take you away; once you have thoroughly penetrated it, the surging inspiration can be like a cowherd holding a cow and taking it away. Designers can never leave practice, just like a piece of jade, can only be cut, learned, smashed, and grinded to become talented.
The determination of the theme is the difficulty of creation and the focus of creation. Some jade materials I feel in the dark, it has already told you what to do with this jade, you have done it, and you have made a taste, it shows its true value. Therefore, loyalty to materials is the fundamental principle of creation. It is the most important to seek a form of expression that matches the warm and temperament of jade and the color of form. Regardless of deformation and abstraction, fineness and roughness, all aspects of jade should conform to the essential characteristics of jade. Graphics and crafts must be subordinated to jade, and should not be superior to jade. Those materials that are dirty, motley, jade and stone, and not lovable are even more troublesome, but these jade materials give us a wonderful opportunity to display their talents, and are more artistically innovative than those of monochromatic materials. Space, reading it, and exerting its characteristics can create unique and unrepeatable pieces, which is an opportunity that can be met and not demanded.
In the practice of creation, I deeply kicked back the importance of respecting the essence and characteristics of jade. I believe that the creation of jade carving should adhere to the design concept of “natural, simple, reasonable and innovativeâ€. In order to reach a realm, Saitama must gradually rise from a technically advanced level to an artistic circle. After the completion, people appreciate, agree, and recognize your creations, and can understand your inner feelings and empathy. From the realization of something, such a work is a successful work. Because everyone collects and plays jade, it is a mood, an artistic conception, and it is also a way to obtain a kind of resonance, an enlightenment, and enjoy a process in it. Our works must have these rich connotations. Our creators are the people who endow the meaning of the works. Therefore, the cultivation of the singers and the continuous improvement of artistic cultivation are undoubtedly the premise of ensuring the creation of good works.
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