The exhibition "ManusXMachina: Fashion in an Age of Technology" at the Metropolitan Museum of Art ended recently. Many pieces of Prada are also on display in this exhibition.
Throughout today's fashion industry, the boundaries between "handmade" and "machine-made" have become increasingly blurred. The gap between "high-end customization" and "mass-produced garments" has also been gradually narrowing. This exhibition not only presents this truthfully The status quo, but also introduced a variety of new fashion design patterns.
Prada has been the industry pioneer in the use of industrial nylon in luxury goods, this common baggage and handbag material has thus gained a new life. Among the many exhibits there is a classic "little black dress" from Prada's spring / summer 1995 collection, all made from Prada's iconic parachute nylon material.
It is no exaggeration to say that Prada's love of industrial nylon materials has affected the aesthetic of the whole of the nineties. It also reflects the increasingly close relationship between individuals and science and technology and the shift of the fashion industry to the development of mechanized mass production. Inspired by the uniforms belt buckle, Prada for the nylon dress with the silver metal buckle, which greatly enhance the overall texture of the garment.
Prada 2011-12 autumn and winter series of "fish scale skirt" will be hand-made and mechanical production process combined to create a "sparkling" dazzling effect. Designer Robust woven yarn at the end, hand-sewn white plastic sequined and transparent beads, sequins on the sequins can swing gently with the body. Prada by hand and mechanical mixing process to create this skirt, as if the fish in the water generally agile and freedom.
When Miuccia Prada and ManusXMachina curator Andrew Bolton talked about the "fish-scale skirt" of the Prada Fall / Winter 2011-12 collection, Miuccia Prada said: "I like the idea of ​​using plastic sequins in luxuries . "Prada has a soft spot for" mashups "- she mixes Pope's plastic jewelry with luxury items in this piece.
This black cotton lace embossed lace skirt from the Prada classic autumn and winter 2008-09 series, this section is very fitting dress ManusXMachina manual and mechanical craft combination of exhibition themes. Its core features - lace, it is complex process. Swiss craftsmen first weave according to traditional textile techniques, finishing only a few meters a day. After these lace made of flowers look and hand-stitched to the clothing surface, to ensure that the overall lace show Prada unique dignified texture and calm temperament.
Traditional lace making methods require a lot of manpower and material resources, in the past only wealthy people to be able to get in touch with and wearing this material, so the lace pattern also contains the rich historical connotation of European history and social class. Ms. Prada, meanwhile, uses lace in her design through ironic and negative thinking, which has also become one of her major personal challenges: "My personal taste is always good, well-behaved," she told WSJ Magazine, "so I like to go the other way, using elements I do not like, like lace - I've designed a complete collection with lace."
Prada 2015 autumn and winter series of soft line from the dress, showing Prada's long-term fascination for man-made beauty: What is real, what is illusory? Both pastel-colored dresses feature the Jersey-gazar, which emphasizes the toughness and matte finish of the fabric.
Hand-stitched crystal mosaic flower decoration is not only a large number, more these two from the Prada 2015 autumn and winter series of dresses add a touch of pink luster.
In her dialogue with curator Andrew Bolton, Maussia Prada also said: "I'm obsessed with complex and diverse elements, such as a mix of prints, fabrics and embroidery patterns." It also became the flagship of the Prada 2016 Fall / Winter Collection Idea, but also like a female multi-angle side of the typical life write. These two from the Prada 2016 autumn and winter series of dresses with woven silk organza yarn and with a hand-sewn plastic sequins and flower decoration, integrated use of hand and machine manufacturing technology to create a rich layering and dynamic clothing effect.
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